The data was organized both in number of pages and numbers of articles and contributions (n.b. This contradicts therefore the expectations of a prevalent interest in film heritage, in view of the broader circulation trends of Italian cinema in film libraries, cultural institutes and arthouse cinemas, which are mainly interested in Neorealism or “auteur cinema”. We noted that special attention was devoted to contemporary productions, often more frequently than to the big names of film culture in the past. Though these journals overall dedicate little space to Italian cinema, there is a wide range of related information which also appears in short reviews, articles, and press releases. Most of the content dedicated to books on cinema and DVD releases has been included in the section on film heritage. We verified how many pages include information on Italian cinema, and developed selection criteria based on chronology, between contemporary cinema and film heritage, and content, among the articles dedicated to audiovisual news or policies, festivals and the obituaries. We undertook quantitative and qualitative analyses of the collected data and content, recording the number of articles, and studying the differences and similarities in the assessment of film media as compared to the Italian market. Certain pivotal stakeholders cooperate in the circulation and valorization of Italian cinema in critical assessment, reviews, and interviews, alongside marketing of Italian titles in the home video market, and curatorial initiatives in the institutional frameworks of cinematheques, museums and cultural institutes.
![italian magazines circulation italian magazines circulation](https://data.nssmag.com/images/galleries/25514/thumbs/nssgclub-cioe-43.jpg)
We collected data in the specialist press regarding the diffusion and promotion abroad of Italy’s national cinematographic culture. 3/2018 of the journal Comunicazioni Sociali, in the issue “The International Circulation of European Cinema in the Digital Age”. An extended paper on this research will be published in no. Emiliano Morreale and I, at the Sapienza University of Rome, collaborated on a survey of its critical reception in the main international film journals in France and the United States, by mapping, cataloguing and the digitizing articles from Cahiers du cinéma and Positif in France, and Film Comment in the United States.
![italian magazines circulation italian magazines circulation](https://www.classiccars4sale.net/images/uploads/aa/Italian_Classics_5.jpg)
![italian magazines circulation italian magazines circulation](https://upload.wikimedia.org/wikipedia/en/7/75/Elle_Magazine_2020.jpg)
For the Research Project The International Circulation of Italian Cinema the other project collaborators have proposed a variety of different ways to analyse the forms of distribution and circulation of Italian cinema abroad.